{"id":723,"date":"2019-11-27T10:30:04","date_gmt":"2019-11-27T09:30:04","guid":{"rendered":"http:\/\/www.cemf.fr\/lpem\/?page_id=723"},"modified":"2019-11-27T10:43:24","modified_gmt":"2019-11-27T09:43:24","slug":"les-prix-de-lenseignement-musical-2019-le-palmares","status":"publish","type":"page","link":"https:\/\/www.cemf.fr\/lpem\/les-prix-de-lenseignement-musical-2019-le-palmares\/","title":{"rendered":"Les Prix de l&rsquo;Enseignement Musical 2019 : le palmar\u00e8s"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Les Prix de l&rsquo;Enseignement Musical 2019 : le palmar\u00e8s<\/h2>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"720\" data-attachment-id=\"724\" data-permalink=\"https:\/\/www.cemf.fr\/lpem\/les-prix-de-lenseignement-musical-2019-le-palmares\/laureats_editeurs\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Laureats_editeurs.jpg?fit=1080%2C720&amp;ssl=1\" data-orig-size=\"1080,720\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;CEMF. PRIX DE L&#039;ENSEIGNEMENT MUSICAL 2019. PHOTO CAROLINE DOUTRE&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;CEMF. PRIX DE L&#039;ENSEIGNEMENT MUSICAL 2019. PHOTO CAROLINE DOUTRE&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Laureats_editeurs\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;CEMF. PRIX DE L&amp;rsquo;ENSEIGNEMENT MUSICAL 2019. PHOTO CAROLINE DOUTRE&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Laureats_editeurs.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Laureats_editeurs.jpg?fit=1024%2C683&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Laureats_editeurs.jpg?fit=1024%2C683\" alt=\"\" class=\"wp-image-724\" srcset=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Laureats_editeurs.jpg?w=1080&amp;ssl=1 1080w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Laureats_editeurs.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Laureats_editeurs.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Laureats_editeurs.jpg?resize=1024%2C683&amp;ssl=1 1024w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption>CEMF. PRIX DE L&rsquo;ENSEIGNEMENT MUSICAL 2019. PHOTO CAROLINE DOUTRE<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">PRIX DE LA REALISATION D\u2019UNE METHODE INSTRUMENTALE OU DE FORMATION MUSICALE<\/h2>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"720\" data-attachment-id=\"725\" data-permalink=\"https:\/\/www.cemf.fr\/lpem\/les-prix-de-lenseignement-musical-2019-le-palmares\/methode_olivier_marin\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Methode_Olivier_Marin.jpg?fit=1080%2C720&amp;ssl=1\" data-orig-size=\"1080,720\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;CEMF. PRIX DE L&#039;ENSEIGNEMENT MUSICAL 2019. PHOTO CAROLINE DOUTRE&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;CEMF. PRIX DE L&#039;ENSEIGNEMENT MUSICAL 2019. PHOTO CAROLINE DOUTRE&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Methode_Olivier_Marin\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;CEMF. PRIX DE L&amp;rsquo;ENSEIGNEMENT MUSICAL 2019. PHOTO CAROLINE DOUTRE&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Methode_Olivier_Marin.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Methode_Olivier_Marin.jpg?fit=1024%2C683&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Methode_Olivier_Marin.jpg?fit=1024%2C683\" alt=\"\" class=\"wp-image-725\" srcset=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Methode_Olivier_Marin.jpg?w=1080&amp;ssl=1 1080w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Methode_Olivier_Marin.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Methode_Olivier_Marin.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Methode_Olivier_Marin.jpg?resize=1024%2C683&amp;ssl=1 1024w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption>Olivier Marin. PRIX DE L&rsquo;ENSEIGNEMENT MUSICAL 2019. PHOTO CAROLINE DOUTRE<\/figcaption><\/figure>\n\n\n\n<p><strong>PETITES NOTES ET PIECES EPHEMERES<\/strong><br><em>OLIVIER MARIN (PARIS)<\/em><br>Le\n jeu \u00ab&nbsp;Petites notes et pi\u00e8ces \u00e9ph\u00e9m\u00e8res&nbsp;\u00bb est n\u00e9 de l\u2019envie d\u2019adosser \nla p\u00e9dagogie musicale \u00e0 une passion pour les jeux. Olivier Marin est \nparti d\u2019un double constat : d\u2019une part le jeu est un outil \nd\u2019apprentissage implicite ; d\u2019autre part, il favorise la concentration \net la d\u00e9termination. Il a donc utilis\u00e9 ces ressorts pour les mettre au \nservice de la p\u00e9dagogie musicale. Il s\u2019agit de faire travailler aux \n\u00e9l\u00e8ves plusieurs aspects peu abord\u00e9s par les p\u00e9dagogies traditionnelles :\n l\u2019improvisation, la comprovisation, le d\u00e9chiffrage. Le jeu ambitionne \nde d\u00e9velopper le travail en groupe et l\u2019\u00e9coute des musiciens entre eux. \nIl permet la rencontre de tous les instruments, ainsi que le m\u00e9lange de \ntous les niveaux dans un contexte ludique mais exigeant. <br> Ce projet \nconsiste \u00e0 d\u00e9velopper un jeu de soci\u00e9t\u00e9 musical, \u00ab Petites notes et \npi\u00e8ces \u00e9ph\u00e9m\u00e8res \u00bb, \u00e0 destination de tous les publics de musiciens. Ce \nprojet est directement issu de son exp\u00e9rience de professeur, \nd\u2019interpr\u00e8te et de compositeur : comment d\u00e9velopper chez des musiciens, \nd\u00e8s le plus jeune \u00e2ge, des pratiques musicales souvent mises au second \nplan mais essentielles, comme l\u2019improvisation, la comprovisation, le jeu\n de sc\u00e8ne ? <\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/xQg3Uwomg14?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=fr-FR&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">PRIX DE LA CREATION D\u2019UNE NOUVELLE \u0152UVRE A DOMINANTE MUSICALE POUR DE JEUNES INTERPRETES<\/h2>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"720\" data-attachment-id=\"728\" data-permalink=\"https:\/\/www.cemf.fr\/lpem\/les-prix-de-lenseignement-musical-2019-le-palmares\/creation_christine_menesson\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Creation_Christine_Menesson.jpg?fit=1080%2C720&amp;ssl=1\" data-orig-size=\"1080,720\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Creation_Christine_Menesson\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Creation_Christine_Menesson.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Creation_Christine_Menesson.jpg?fit=1024%2C683&amp;ssl=1\" src=\"https:\/\/i1.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Creation_Christine_Menesson.jpg?fit=1024%2C683\" alt=\"\" class=\"wp-image-728\" srcset=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Creation_Christine_Menesson.jpg?w=1080&amp;ssl=1 1080w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Creation_Christine_Menesson.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Creation_Christine_Menesson.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Creation_Christine_Menesson.jpg?resize=1024%2C683&amp;ssl=1 1024w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption>Christine Mennesson. PRIX DE L&rsquo;ENSEIGNEMENT MUSICAL 2019. PHOTO CAROLINE DOUTRE <\/figcaption><\/figure>\n\n\n\n<p><strong>L\u2019homme qui plantait des arbres, Oratorio La\u00efque<\/strong><br><em>Christine MENNESSON (Montigny sur Loing)<\/em><\/p>\n\n\n\n<p>Ecrit principalement pour des voix d\u2019enfants, accompagn\u00e9es\nde 11 instruments (version initiale pour piano), cet oratorio met en regard le\ntexte inspir\u00e9 de &nbsp;\u00ab&nbsp;L\u2019homme qui\nplantait des arbres&nbsp;\u00bb de Jean Giono, &nbsp;dit par un conteur professionnel avec des \u00e9vocations\nmusicales et des interludes dans\u00e9s. Cr\u00e9\u00e9 au Festival Berlioz en septembre 2018,\nplusieurs centaines d\u2019enfants (8 \u00e0 12 ans) de toute la r\u00e9gion de l\u2019Is\u00e8re ont\nparticip\u00e9 \u00e0 ce projet dans le cadre du dispositif \u00ab&nbsp;A travers chants&nbsp;\u00bb\nde l\u2019association AIDA, en partenariat avec l\u2019ensemble Spirito. 16 intervenants\nmusiciens et un danseur ont pr\u00e9par\u00e9 les enfants \u00e0 partir de f\u00e9vrier. Cette\noeuvre fut reprise en mai 2019 \u00e0 Lyon (ma\u00eetrise et instrumentistes du CRR +\nchoeur d\u2019enfants du CRC de St Priest et de l\u2019\u00e9cole Albert Camus, en partenariat\navec Spirito). L\u2019intention du projet est de permettre \u00e0 un jeune public de\nparticiper de plein pied et \u00e0 pleine voix \u00e0 une belle aventure musicale et\nlitt\u00e9raire. Le texte fort, humaniste, frappe par son actualit\u00e9 et ouvre grand\nsur l\u2019avenir.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/XWrY34Bu5wQ?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=fr-FR&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">PRIX DE L\u2019INNOVATION TECHNOLOGIQUE POUR L\u2019ENSEIGNEMENT DE LA MUSIQUE<\/h2>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"720\" data-attachment-id=\"729\" data-permalink=\"https:\/\/www.cemf.fr\/lpem\/les-prix-de-lenseignement-musical-2019-le-palmares\/innovation_cello_kids\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Innovation_Cello_Kids.jpg?fit=1080%2C720&amp;ssl=1\" data-orig-size=\"1080,720\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Innovation_Cello_Kids\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Innovation_Cello_Kids.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Innovation_Cello_Kids.jpg?fit=1024%2C683&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Innovation_Cello_Kids.jpg?fit=1024%2C683\" alt=\"\" class=\"wp-image-729\" srcset=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Innovation_Cello_Kids.jpg?w=1080&amp;ssl=1 1080w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Innovation_Cello_Kids.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Innovation_Cello_Kids.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Innovation_Cello_Kids.jpg?resize=1024%2C683&amp;ssl=1 1024w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption> Cello Kids. PRIX DE L&rsquo;ENSEIGNEMENT MUSICAL 2019. PHOTO CAROLINE DOUTRE <\/figcaption><\/figure>\n\n\n\n<p><strong>Cello Kids<\/strong><br><em>Val\u00e9rie AIMARD (Paris)<\/em><\/p>\n\n\n\n<p>CELLO KIDS est la nouvelle chaine YouTube consacr\u00e9e \u00e0 la\np\u00e9dagogie du violoncelle, une biblioth\u00e8que en images en libre acc\u00e8s \u00e0\ndisposition des \u00e9l\u00e8ves et des professeurs. Notre objectif est de faire\nd\u00e9couvrir le r\u00e9pertoire des premi\u00e8res ann\u00e9es du violoncelle \u00e0 un large public,\nde cr\u00e9er une ressource p\u00e9dagogique, de partager largement avec la confr\u00e9rie des\nvioloncellistes notre exp\u00e9rience d\u2019enseignant et de toucher un public de\nm\u00e9lomanes avertis. 1001 petites merveilles aux styles tr\u00e8s vari\u00e9s, enregistr\u00e9es\nen vid\u00e9o par 2 violoncellistes et un pianiste, musiciens passionn\u00e9s et fervents\np\u00e9dagogues au CMA 13 \u00e0 Paris. Le projet CELLO KIDS voit le jour de fa\u00e7on\nfulgurante durant l\u2019ann\u00e9e scolaire 2018\/2019, port\u00e9 par l\u2019\u00e9nergie cr\u00e9atrice de\n3 musiciens enseignants enthousiastes : Val\u00e9rie Aimard, Antonina Zharava ,\nvioloncellistes et C\u00e9dric Lorel , pianiste.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/dgN9DoVmFLE?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=fr-FR&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"720\" data-attachment-id=\"730\" data-permalink=\"https:\/\/www.cemf.fr\/lpem\/les-prix-de-lenseignement-musical-2019-le-palmares\/innovation_sonic_solveig\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Innovation_sonic_solveig.jpg?fit=1080%2C720&amp;ssl=1\" data-orig-size=\"1080,720\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Innovation_sonic_solveig\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Innovation_sonic_solveig.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Innovation_sonic_solveig.jpg?fit=1024%2C683&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Innovation_sonic_solveig.jpg?fit=1024%2C683\" alt=\"\" class=\"wp-image-730\" srcset=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Innovation_sonic_solveig.jpg?w=1080&amp;ssl=1 1080w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Innovation_sonic_solveig.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Innovation_sonic_solveig.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Innovation_sonic_solveig.jpg?resize=1024%2C683&amp;ssl=1 1024w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption>Sonic Solveig. PRIX DE L&rsquo;ENSEIGNEMENT MUSICAL 2019. PHOTO CAROLINE DOUTRE <\/figcaption><\/figure>\n\n\n\n<p><strong>Sonic Solveig, l\u2019e-\u00e9ducation musicale<\/strong><br><em>G\u00e9raldine Aliberti (Paris)<\/em><\/p>\n\n\n\n<p>Ecoutez la musique comme vous ne l\u2019avez jamais entendue Avec\nSonic Solveig, cr\u00e9ateur d\u2019applications musicales Devenez acteur de votre \u00e9coute\n: isolez les instruments de votre choix, remixez une pi\u00e8ce comme un ing\u00e9nieur\nson, r\u00e9orchestrer comme Ravel avait orchestr\u00e9 Moussorgski, jouez des\npercussions pour tout un orchestre symphonique, apprenez \u00e0 m\u00e9moriser des sons,\netc. Sans fard, sans complexe, Sonic Solveig vous invite \u00e0 entrer au coeur des\ngrandes oeuvres musicales, o\u00f9 vous pourrez entendre et jouer avec la musique\ncomme un chef d\u2019orchestre ! Le tout dans une navigation simple, sans texte,\nintuitive et belle. Sonic Solveig invente la musique interactive, une musique\nqui communique avec des auditeurs inventifs !<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/BMerTvftvCI?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=fr-FR&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">PRIX DU MAGASIN DE MUSIQUE POUR SON IMPLICATION DANS L\u2019ENSEIGNEMENT <\/h2>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"720\" data-attachment-id=\"731\" data-permalink=\"https:\/\/www.cemf.fr\/lpem\/les-prix-de-lenseignement-musical-2019-le-palmares\/magasin_le_croquenotes\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Magasin_Le_Croquenotes.jpg?fit=1080%2C720&amp;ssl=1\" data-orig-size=\"1080,720\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;CEMF. PRIX DE L&#039;ENSEIGNEMENT MUSICAL 2019. PHOTO CAROLINE DOUTRE&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;CEMF. PRIX DE L&#039;ENSEIGNEMENT MUSICAL 2019. PHOTO CAROLINE DOUTRE&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Magasin_Le_Croquenotes\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;CEMF. PRIX DE L&amp;rsquo;ENSEIGNEMENT MUSICAL 2019. PHOTO CAROLINE DOUTRE&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Magasin_Le_Croquenotes.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Magasin_Le_Croquenotes.jpg?fit=1024%2C683&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Magasin_Le_Croquenotes.jpg?fit=1024%2C683\" alt=\"\" class=\"wp-image-731\" srcset=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Magasin_Le_Croquenotes.jpg?w=1080&amp;ssl=1 1080w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Magasin_Le_Croquenotes.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Magasin_Le_Croquenotes.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Magasin_Le_Croquenotes.jpg?resize=1024%2C683&amp;ssl=1 1024w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption>Le Croquenotes. PRIX DE L&rsquo;ENSEIGNEMENT MUSICAL 2019. PHOTO CAROLINE DOUTRE<\/figcaption><\/figure>\n\n\n\n<p><strong>Le Croquenotes<\/strong> (Toulouse)<\/p>\n\n\n\n<p>Le Croquenotes a souhait\u00e9 organiser une manifestation\nattach\u00e9e \u00e0 l\u2019EDEM (European Day of Early Music ou Journ\u00e9e Europ\u00e9enne de la\nMusique Ancienne) 2018 en mettant en avant ses comp\u00e9tences propres, celles\nd\u2019une librairie d\u00e9di\u00e9e \u00e0 la musique \u00e9crite. Choisissant l\u2019explication des\nusages de l\u2019\u00e9criture de la musique de l\u2019\u00e9poque en Europe, elle \u00e9labora des\ntableaux explicatifs et illustr\u00e9s, alternativement dr\u00f4le et savants et s\u2019est\nattach\u00e9e \u00e0 rendre accessibles les notions de cl\u00e9s, d\u2019armure et d\u2019harmonie. Une\ndouble exposition fut conjointement men\u00e9e au conservatoire de Toulouse et dans\nla librairie, et cette semaine d\u2019exposition s\u2019acheva par un concert de musique\nancienne en soir\u00e9e, avec les \u00e9l\u00e8ves du p\u00f4le de musique ancienne du\nConservatoire.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/bZ4kmUTmq_c?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=fr-FR&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">PRIX DU REPERTOIRE, REALISATION D\u2019UNE PARTITION DE MUSIQUE INSTRUMENTALE OU VOCALE<\/h2>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"720\" data-attachment-id=\"732\" data-permalink=\"https:\/\/www.cemf.fr\/lpem\/les-prix-de-lenseignement-musical-2019-le-palmares\/repertoire_arthur-dente\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Repertoire_Arthur-Dente.jpg?fit=1080%2C720&amp;ssl=1\" data-orig-size=\"1080,720\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;CEMF. PRIX DE L&#039;ENSEIGNEMENT MUSICAL 2019. PHOTO CAROLINE DOUTRE&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;CEMF. PRIX DE L&#039;ENSEIGNEMENT MUSICAL 2019. PHOTO CAROLINE DOUTRE&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Repertoire_Arthur Dente\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;CEMF. PRIX DE L&amp;rsquo;ENSEIGNEMENT MUSICAL 2019. PHOTO CAROLINE DOUTRE&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Repertoire_Arthur-Dente.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Repertoire_Arthur-Dente.jpg?fit=1024%2C683&amp;ssl=1\" src=\"https:\/\/i2.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Repertoire_Arthur-Dente.jpg?fit=1024%2C683\" alt=\"\" class=\"wp-image-732\" srcset=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Repertoire_Arthur-Dente.jpg?w=1080&amp;ssl=1 1080w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Repertoire_Arthur-Dente.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Repertoire_Arthur-Dente.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Repertoire_Arthur-Dente.jpg?resize=1024%2C683&amp;ssl=1 1024w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption>Athur Dente. PRIX DE L&rsquo;ENSEIGNEMENT MUSICAL 2019. PHOTO CAROLINE DOUTRE<\/figcaption><\/figure>\n\n\n\n<p><strong>Alto Plano<\/strong><br><em>Arthur Dente (Aix en Provence)<\/em><\/p>\n\n\n\n<p>\u00c9laborer une oeuvre originale pour guitare, choeur et orchestre en \npartenariat avec le conservatoire d\u2019Aix en Provence et l\u2019\u00e9ducation \nnationale r\u00e9unissant un choeur de 120 coll\u00e9giens, un orchestre de jeunes\n musiciens et un octuor vocal de jeunes chanteurs du conservatoire. Ce \nr\u00e9pertoire s\u2019intitule Alto Plano et comprend 10 chants issus de \nl\u2019univers compositionnel du guitariste Arthur Dente. Ce projet a d\u00e9but\u00e9 \nen septembre 2018 et a donn\u00e9 lieu \u00e0 un concert \u00e0 l\u2019Auditorium du \nconservatoire d\u2019Aix en Provence le 2 mai 2019. Avec ce r\u00e9pertoire, le \ncompositeur souhaitait mettre les jeunes \u00e9l\u00e8ves au centre d\u2019une oeuvre \nriche et foisonnante. en donnant \u00e0 ce spectacle une envergure agogique \nlarge avec des dynamiques qui s\u2019opposent. L\u2019id\u00e9e r\u00e9currente de cet \n\u201cIndien\u201c, est de rejoindre les fondements de la nature humaine, cet \u00eatre\n premier qui nous constitue et qui a essaim\u00e9 la terre en d\u00e9veloppant des\n cultures et des points de vues esth\u00e9tiques sp\u00e9cifiques. Mais toutes ces\n cultures aussi diff\u00e9rentes soient-elles pouvant en r\u00e9alit\u00e9 converger \nvers l\u2019universel. C\u2019est cette volont\u00e9 de construction vers \nl\u2019universalit\u00e9 qui anime ce projet musical puisant dans diff\u00e9rents \nstyles musicaux.<\/p>\n\n\n\n<figure class=\"wp-block-embed-vimeo wp-block-embed is-type-video is-provider-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\nhttps:\/\/vimeo.com\/336636579\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"720\" data-attachment-id=\"734\" data-permalink=\"https:\/\/www.cemf.fr\/lpem\/les-prix-de-lenseignement-musical-2019-le-palmares\/repertoire_emmanuel-sejourne\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Repertoire_Emmanuel-Sejourne.jpg?fit=1080%2C720&amp;ssl=1\" data-orig-size=\"1080,720\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;CEMF. PRIX DE L&#039;ENSEIGNEMENT MUSICAL 2019. PHOTO CAROLINE DOUTRE&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;CEMF. PRIX DE L&#039;ENSEIGNEMENT MUSICAL 2019. PHOTO CAROLINE DOUTRE&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Repertoire_Emmanuel Sejourne\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;CEMF. PRIX DE L&amp;rsquo;ENSEIGNEMENT MUSICAL 2019. PHOTO CAROLINE DOUTRE&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Repertoire_Emmanuel-Sejourne.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Repertoire_Emmanuel-Sejourne.jpg?fit=1024%2C683&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Repertoire_Emmanuel-Sejourne.jpg?fit=1024%2C683\" alt=\"\" class=\"wp-image-734\" srcset=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Repertoire_Emmanuel-Sejourne.jpg?w=1080&amp;ssl=1 1080w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Repertoire_Emmanuel-Sejourne.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Repertoire_Emmanuel-Sejourne.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Repertoire_Emmanuel-Sejourne.jpg?resize=1024%2C683&amp;ssl=1 1024w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption>Emmanuel S\u00e9journ\u00e9. PRIX DE L&rsquo;ENSEIGNEMENT MUSICAL 2019. PHOTO CAROLINE DOUTRE<\/figcaption><\/figure>\n\n\n\n<p><strong>Khamsin<\/strong><br><em>Emmanuel S\u00e9journ\u00e9 (Strasbourg)<\/em><\/p>\n\n\n\n<p>Composition de la pi\u00e8ce \u00ab&nbsp;Khamsin&nbsp;\u00bb, oeuvre pour 1 marimba 5 octaves \net 2 ex\u00e9cutants, chaque instrumentiste manipulant 4 baguettes. Les 2 \npercussionnites intervertissent leurs places au fur et \u00e0 mesure : face \u00e0\n face, c\u00f4te \u00e0 c\u00f4te, Face \u00e0 face. Ils sont donc amen\u00e9s \u00e0 jouer parfois \n\u00ab&nbsp;\u00e0 l\u2019envers&nbsp;\u00bb, le marimba \u00e9tant plac\u00e9 de c\u00f4t\u00e9 de mani\u00e8re \u00e0 ce que le \npublic puisse voir le jeu des 2 protagonistes. Le style musical \nempruntant sa difficult\u00e9 rythmique au Txalaparta basque est \nvolontairement compos\u00e9 pour qu\u2019un public non sp\u00e9cialiste puisse \nappr\u00e9cier les couleurs sonores du marimba et la performance des \ninterpr\u00e8tes. Si la percussion connait un essor tr\u00e8s important dans son \nr\u00e9pertoire, la probl\u00e9matique instrumentale reste toujours un frein dans \ndans sa r\u00e9alisation, aussi bien au niveau priv\u00e9 qu\u2019institutionnel \n(Conservatoires, Ecoles de musique). Ainsi un duo de percussion a bien \ndes probl\u00e8mes pour tourner et se produire: instruments on\u00e9reux, lourds \nn\u00e9cessitant une logistique de transport. Par ailleurs, rares sont les \nConservatoires ou Ecoles de musique \u00e0 avoir 2 marimbas 5 octaves \u00e0 \ndisposition. La tessiture 5 octaves devient maintenant une norme \n\u00ab&nbsp;courante&nbsp;\u00bb mais peu d\u2019\u00e9tablissements ou de duos \u00ab&nbsp;priv\u00e9s&nbsp;\u00bb peuvent \ns\u2019offrir le luxe d\u2019en d\u00e9tenir deux. Aussi, suite \u00e0 la suggestion de Quey\n Duo Percussion de composer une pi\u00e8ce pour 2 marimbas 5 octaves, j\u2019ai \npr\u00e9f\u00e9r\u00e9 tenter de composer pour 1 marimba 5 octaves et 2 instrumentistes\n percussionnistes.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/buedx61ThQU?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=fr-FR&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">PRIX DU SPECTACLE METTANT EN SCENE DE JEUNES INTERPRETES <\/h2>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"720\" data-attachment-id=\"735\" data-permalink=\"https:\/\/www.cemf.fr\/lpem\/les-prix-de-lenseignement-musical-2019-le-palmares\/spectacle_christine_ott\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Spectacle_Christine_Ott.jpg?fit=1080%2C720&amp;ssl=1\" data-orig-size=\"1080,720\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;CEMF. PRIX DE L&#039;ENSEIGNEMENT MUSICAL 2019. PHOTO CAROLINE DOUTRE&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;CEMF. PRIX DE L&#039;ENSEIGNEMENT MUSICAL 2019. PHOTO CAROLINE DOUTRE&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Spectacle_Christine_Ott\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;CEMF. PRIX DE L&amp;rsquo;ENSEIGNEMENT MUSICAL 2019. PHOTO CAROLINE DOUTRE&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Spectacle_Christine_Ott.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Spectacle_Christine_Ott.jpg?fit=1024%2C683&amp;ssl=1\" src=\"https:\/\/i2.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Spectacle_Christine_Ott.jpg?fit=1024%2C683\" alt=\"\" class=\"wp-image-735\" srcset=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Spectacle_Christine_Ott.jpg?w=1080&amp;ssl=1 1080w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Spectacle_Christine_Ott.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Spectacle_Christine_Ott.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Spectacle_Christine_Ott.jpg?resize=1024%2C683&amp;ssl=1 1024w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption>Christine Ott. PRIX DE L&rsquo;ENSEIGNEMENT MUSICAL 2019. PHOTO CAROLINE DOUTRE<\/figcaption><\/figure>\n\n\n\n<p><strong>Fen\u00eatres sur courts<\/strong><br><em>Christine Ott (Strasbourg)<\/em><\/p>\n\n\n\n<p>Cin\u00e9-concert sur diff\u00e9rents courts-m\u00e9trages ou extraits de films \nchoisis et \u00e9tudi\u00e9s durant l\u2019ann\u00e9e et mettant en sc\u00e8ne un groupe \nd\u2019\u00e9tudiants du Conservatoire de Strasbourg. Ils nous livrent une \ncr\u00e9ation musicale sur des films de diff\u00e9rentes p\u00e9riodes et pr\u00e9sentant \ndiff\u00e9rents genres cin\u00e9matographiques (cin\u00e9ma muet, cin\u00e9ma d\u2019animation, \ncin\u00e9ma actuel\u2026). L\u2019occasion pour le public de d\u00e9couvrir ou de revoir des\n chef-d\u2019oeuvres du cin\u00e9ma avec une musique originale, actuelle et \npersonnelle, sp\u00e9cialement improvis\u00e9e et compos\u00e9e \u00e0 cet effet, dans une \nd\u00e9marche \u00e0 la fois sensorielle et intuitive, et toujours au service de \nl\u2019image.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/OGNQMuW3TJs?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=fr-FR&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"720\" data-attachment-id=\"736\" data-permalink=\"https:\/\/www.cemf.fr\/lpem\/les-prix-de-lenseignement-musical-2019-le-palmares\/spectacle_isabelle-ronzier\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Spectacle_Isabelle-Ronzier.jpg?fit=1080%2C720&amp;ssl=1\" data-orig-size=\"1080,720\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;CEMF. PRIX DE L&#039;ENSEIGNEMENT MUSICAL 2019. PHOTO CAROLINE DOUTRE&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;CEMF. PRIX DE L&#039;ENSEIGNEMENT MUSICAL 2019. PHOTO CAROLINE DOUTRE&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Spectacle_Isabelle Ronzier\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;CEMF. PRIX DE L&amp;rsquo;ENSEIGNEMENT MUSICAL 2019. PHOTO CAROLINE DOUTRE&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Spectacle_Isabelle-Ronzier.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Spectacle_Isabelle-Ronzier.jpg?fit=1024%2C683&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Spectacle_Isabelle-Ronzier.jpg?fit=1024%2C683\" alt=\"\" class=\"wp-image-736\" srcset=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Spectacle_Isabelle-Ronzier.jpg?w=1080&amp;ssl=1 1080w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Spectacle_Isabelle-Ronzier.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Spectacle_Isabelle-Ronzier.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2019\/11\/Spectacle_Isabelle-Ronzier.jpg?resize=1024%2C683&amp;ssl=1 1024w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption>Isabelle Ronzier. PRIX DE L&rsquo;ENSEIGNEMENT MUSICAL 2019. PHOTO CAROLINE DOUTRE<\/figcaption><\/figure>\n\n\n\n<p><strong>Le Pont sur le Monde<\/strong><br><em>Isabelle Ronzier (Avignon)<\/em><\/p>\n\n\n\n<p>D\u2019une rive \u00e0 l\u2019autre du Rh\u00f4ne, 400 enfants des \u00e9coles du\nGard et du Vaucluse chantent les voix bulgares, accompagn\u00e9s par les rythmes\nsyncop\u00e9s du groupe Aksak. Ces chants les emm\u00e8nent sur le Pont du Monde \u00e0\nl\u2019\u00e9coute d\u2019histoires transmises par des mamans de Russie, d\u2019Albanie, du\nMaghreb\u2026 Ensemble, ils cr\u00e9ent une partition compos\u00e9e \u00e0 partir de toutes les\ncouleurs de mots, de langues et de m\u00e9moire de ces chants et de ces textes. Un\ngroupe de musique des Balkans les entra\u00eenent dans une joyeuse \u00e9pop\u00e9e racont\u00e9e\npar des enfants manipulateurs d\u2019ombres et de lumi\u00e8res. Un spectacle sur\nl\u2019\u00e9galit\u00e9 et la joie de d\u00e9couvrir d\u2019autres cultures par le chant, le jeu, le\ncorps et la lumi\u00e8re.<br>\nC\u2019est une histoire de pont entre l\u2019Op\u00e9ra, l\u2019\u00c9veil artistique pour les jeunes\npublics, le conservatoire, l\u2019\u00e9cole de musique associ\u00e9e du Gard, Le Grand\nAvignon, la ville d\u2019Avignon, l\u2019\u00c9ducation Nationale, les Jeunesses Musicales de\nFrance, la Drac, la Sacem, Canop\u00e9, la fondation du Grand Delta habitat, le\nCADA-Passerelle, la MGEN, le r\u00e9seau r\u00eaves, chacun passant d\u2019une rive \u00e0 l\u2019autre\ndu Rh\u00f4ne pour que les enfants des \u00e9coles vivent la joie du chant, de la\nlumi\u00e8re, des mots, des sons, la joie d\u2019\u00eatre des enfants cr\u00e9ateurs.<\/p>\n\n\n\n<figure class=\"wp-block-embed-vimeo wp-block-embed is-type-video is-provider-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"LE PONT SUR LE MONDE\" src=\"https:\/\/player.vimeo.com\/video\/347578347?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Les Prix de l&rsquo;Enseignement Musical 2019 : le palmar\u00e8s PRIX DE LA REALISATION D\u2019UNE METHODE INSTRUMENTALE OU DE FORMATION MUSICALE PETITES NOTES ET PIECES EPHEMERESOLIVIER MARIN (PARIS)Le jeu \u00ab&nbsp;Petites notes et pi\u00e8ces \u00e9ph\u00e9m\u00e8res&nbsp;\u00bb est n\u00e9 de l\u2019envie d\u2019adosser la p\u00e9dagogie musicale \u00e0 une passion pour les jeux. Olivier Marin est parti d\u2019un double constat : [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-nommes.php","meta":{"_acf_changed":false,"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-723","page","type-page","status-publish","hentry"],"acf":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P83htQ-bF","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/www.cemf.fr\/lpem\/wp-json\/wp\/v2\/pages\/723","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cemf.fr\/lpem\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.cemf.fr\/lpem\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.cemf.fr\/lpem\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cemf.fr\/lpem\/wp-json\/wp\/v2\/comments?post=723"}],"version-history":[{"count":6,"href":"https:\/\/www.cemf.fr\/lpem\/wp-json\/wp\/v2\/pages\/723\/revisions"}],"predecessor-version":[{"id":741,"href":"https:\/\/www.cemf.fr\/lpem\/wp-json\/wp\/v2\/pages\/723\/revisions\/741"}],"wp:attachment":[{"href":"https:\/\/www.cemf.fr\/lpem\/wp-json\/wp\/v2\/media?parent=723"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}