{"id":221,"date":"2016-11-24T10:44:17","date_gmt":"2016-11-24T09:44:17","guid":{"rendered":"http:\/\/www.cemf.fr\/lpem\/?page_id=221"},"modified":"2017-10-24T10:45:05","modified_gmt":"2017-10-24T09:45:05","slug":"les-laureats-de-ledition-2016","status":"publish","type":"page","link":"https:\/\/www.cemf.fr\/lpem\/les-editions-precedentes\/edition-2016\/les-laureats-de-ledition-2016\/","title":{"rendered":"Les laur\u00e9ats de l&rsquo;\u00e9dition 2016"},"content":{"rendered":"<h2><strong>M\u00e9thode<\/strong><\/h2>\n<ul>\n<li>\n<h3><strong><strong>Jos\u00e9 S\u00e1nchez<\/strong><\/strong><\/h3>\n<div id=\"attachment_222\" style=\"width: 310px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/philippe-grand_octavibe.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-222\" data-attachment-id=\"222\" data-permalink=\"https:\/\/www.cemf.fr\/lpem\/les-editions-precedentes\/edition-2016\/les-laureats-de-ledition-2016\/prix-de-lenseignement-musical-2016-2\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/philippe-grand_octavibe.jpg?fit=1024%2C683&amp;ssl=1\" data-orig-size=\"1024,683\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;CAROLINE DOUTRE&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;21\/11\/2016&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;PRIX DE L&#039;ENSEIGNEMENT MUSICAL 2016&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"PRIX DE L&amp;rsquo;ENSEIGNEMENT MUSICAL 2016\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;21\/11\/2016&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/philippe-grand_octavibe.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/philippe-grand_octavibe.jpg?fit=1024%2C683&amp;ssl=1\" class=\"wp-image-222 size-medium\" src=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/philippe-grand_octavibe.jpg?resize=300%2C200&#038;ssl=1\" alt=\"Philippe Grand\" width=\"300\" height=\"200\" srcset=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/philippe-grand_octavibe.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/philippe-grand_octavibe.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/philippe-grand_octavibe.jpg?w=1024&amp;ssl=1 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-222\" class=\"wp-caption-text\"><em>Philippe Grand d&rsquo;Octavibe Edition, repr\u00e9sentant Jos\u00e9 Sanchez (Toulouse)<br \/><\/em><\/p><\/div>\n<h3><strong>L&rsquo;\u0153il de la letra \u2013 Sole\u00e1<\/strong><\/h3>\n<p>\u00ab L\u2019\u0153il de la letra \u00bb est une proposition qui offre \u00e0 tout musicien, danseur ou chanteur \u2014 et plus largement, \u00e0 tout amateur de flamenco \u2014 la possibilit\u00e9 de comprendre et d\u2019interpr\u00e9ter cette musique. Le premier volume de la s\u00e9rie traite de l\u2019un des styles les plus embl\u00e9matiques du flamenco, la sole\u00e1, avec une restitution de quarante-six chants anciens des grandes figures de l\u2019histoire du flamenco. Ouvrage publi\u00e9 par OctaVibe SAS \u00c9dition.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>\n<h3><strong>Val\u00e9rie Apparailly<\/strong><\/h3>\n<div id=\"attachment_223\" style=\"width: 310px\" class=\"wp-caption alignright\"><a href=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/valerie_apparailly.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-223\" data-attachment-id=\"223\" data-permalink=\"https:\/\/www.cemf.fr\/lpem\/les-editions-precedentes\/edition-2016\/les-laureats-de-ledition-2016\/prix-de-lenseignement-musical-2016-3\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/valerie_apparailly.jpg?fit=1024%2C683&amp;ssl=1\" data-orig-size=\"1024,683\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;CAROLINE DOUTRE&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;21\/11\/2016&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;PRIX DE L&#039;ENSEIGNEMENT MUSICAL 2016&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"PRIX DE L&amp;rsquo;ENSEIGNEMENT MUSICAL 2016\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;21\/11\/2016&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/valerie_apparailly.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/valerie_apparailly.jpg?fit=1024%2C683&amp;ssl=1\" class=\"wp-image-223 size-medium\" src=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/valerie_apparailly.jpg?resize=300%2C200&#038;ssl=1\" alt=\"Val\u00e9rie Apparailly\" width=\"300\" height=\"200\" srcset=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/valerie_apparailly.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/valerie_apparailly.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/valerie_apparailly.jpg?w=1024&amp;ssl=1 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-223\" class=\"wp-caption-text\"><em>Val\u00e9rie Apparailly (Toulouse)<\/em><\/p><\/div>\n<h3>Mes premi\u00e8res \u00e9tudes en duo pour alto<\/h3>\n<p>Des \u00e9tudes courtes, permettant d&rsquo; \u00ab avancer \u00bb rapidement dans le recueil et d&rsquo;optimiser sa concentration en \u00e9vitant la lassitude. Chacune est centr\u00e9e sur un point sp\u00e9cifique (le partage d\u2019archet, la grande liaison, le d\u00e9tach\u00e9 court, la seconde augment\u00e9e, etc). Ouvrage publi\u00e9 par les Editions musicales Alphonse Leduc.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h2>Cr\u00e9ation<\/h2>\n<ul>\n<li>\n<h3>Romain Dumas<\/h3>\n<div id=\"attachment_228\" style=\"width: 310px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/romain-dumas.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-228\" data-attachment-id=\"228\" data-permalink=\"https:\/\/www.cemf.fr\/lpem\/les-editions-precedentes\/edition-2016\/les-laureats-de-ledition-2016\/prix-de-lenseignement-musical-2016-4\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/romain-dumas.jpg?fit=1024%2C683&amp;ssl=1\" data-orig-size=\"1024,683\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;CAROLINE DOUTRE&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;21\/11\/2016&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;PRIX DE L&#039;ENSEIGNEMENT MUSICAL 2016&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"PRIX DE L&amp;rsquo;ENSEIGNEMENT MUSICAL 2016\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;21\/11\/2016&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/romain-dumas.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/romain-dumas.jpg?fit=1024%2C683&amp;ssl=1\" class=\"wp-image-228 size-medium\" src=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/romain-dumas.jpg?resize=300%2C200&#038;ssl=1\" alt=\"Romain Dumas\" width=\"300\" height=\"200\" srcset=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/romain-dumas.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/romain-dumas.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/romain-dumas.jpg?w=1024&amp;ssl=1 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-228\" class=\"wp-caption-text\"><em>Romain Dumas (Paris)<\/em><\/p><\/div>\n<h3>Le merle blanc<\/h3>\n<p>Op\u00e9ra pour choeur d&rsquo;enfants, solistes et orchestre de jeunes. Cr\u00e9e en juin 2016 par les Orchestres de Jeunes Alfred Loewenguth, l\u2019orchestre troisi\u00e8me cycle et les classes de chant de Colette Hochain du Conservatoire Chopin du 15\u00e8me arrondissement de Paris. Livret de Brigitte Maurin, mise en sc\u00e8ne Colette Hauchain.<\/li>\n<\/ul>\n<h2><\/h2>\n<h2><\/h2>\n<h2><\/h2>\n<h2>Innovation<\/h2>\n<ul>\n<li>\n<h3>Guy de la Servette<\/h3>\n<div id=\"attachment_233\" style=\"width: 310px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/chorus-point.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-233\" data-attachment-id=\"233\" data-permalink=\"https:\/\/www.cemf.fr\/lpem\/les-editions-precedentes\/edition-2016\/les-laureats-de-ledition-2016\/prix-de-lenseignement-musical-2016-5\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/chorus-point.jpg?fit=1024%2C683&amp;ssl=1\" data-orig-size=\"1024,683\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;CAROLINE DOUTRE&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;21\/11\/2016&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;PRIX DE L&#039;ENSEIGNEMENT MUSICAL 2016&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"PRIX DE L&amp;rsquo;ENSEIGNEMENT MUSICAL 2016\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;21\/11\/2016&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/chorus-point.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/chorus-point.jpg?fit=1024%2C683&amp;ssl=1\" class=\"wp-image-233 size-medium\" src=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/chorus-point.jpg?resize=300%2C200&#038;ssl=1\" alt=\"Chorus Point\" width=\"300\" height=\"200\" srcset=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/chorus-point.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/chorus-point.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/chorus-point.jpg?w=1024&amp;ssl=1 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-233\" class=\"wp-caption-text\"><em>Chorus Point (Champagne au Mont d&rsquo;Or)<br \/><\/em><\/p><\/div>\n<p>&nbsp;<\/p>\n<h3>ChorusPoint<\/h3>\n<p>Le projet s&rsquo;appuie sur la mise en \u0153uvre de deux innovations technologiques fortes pour la lecture de partitions sur tablettes :<br \/>\n&#8211; rep\u00e8re visuel sur des calques superpos\u00e9s aux partitions des musiciens \/ choristes<br \/>\n&#8211; connexions entre tablettes num\u00e9riques (pendant les r\u00e9p\u00e9titions)<br \/>\nIl vise \u00e0 proposer des outils au service des musiciens amateurs, et des professionnels qui les guident, pour progresser dans la ma\u00eetrise des partitions et la pratique de la musique en ensemble.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h2>R\u00e9pertoire<\/h2>\n<ul>\n<li>\n<h3>Sophie Dufeutrelle<\/h3>\n<div id=\"attachment_236\" style=\"width: 310px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/sophie-dufeutrelle.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-236\" data-attachment-id=\"236\" data-permalink=\"https:\/\/www.cemf.fr\/lpem\/les-editions-precedentes\/edition-2016\/les-laureats-de-ledition-2016\/prix-de-lenseignement-musical-2016-6\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/sophie-dufeutrelle.jpg?fit=1024%2C683&amp;ssl=1\" data-orig-size=\"1024,683\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;CAROLINE DOUTRE&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;21\/11\/2016&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;PRIX DE L&#039;ENSEIGNEMENT MUSICAL 2016&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"PRIX DE L&amp;rsquo;ENSEIGNEMENT MUSICAL 2016\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;21\/11\/2016&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/sophie-dufeutrelle.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/sophie-dufeutrelle.jpg?fit=1024%2C683&amp;ssl=1\" class=\"wp-image-236 size-medium\" src=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/sophie-dufeutrelle.jpg?resize=300%2C200&#038;ssl=1\" alt=\"Sophie Dufeutrelle\" width=\"300\" height=\"200\" srcset=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/sophie-dufeutrelle.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/sophie-dufeutrelle.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/sophie-dufeutrelle.jpg?w=1024&amp;ssl=1 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-236\" class=\"wp-caption-text\"><em>Sophie Dufeutrelle (Villeurbanne)<\/em><\/p><\/div>\n<p>Villeurbanne<\/p>\n<h3>Marine<\/h3>\n<p>Pi\u00e8ce \u00e9crite pour une vingtaine de fl\u00fbtistes, du piccolo \u00e0 la fl\u00fbte octobasse. Commande de l\u2019Orchestre de Fl\u00fbtes du Rh\u00f4ne. Une pi\u00e8ce pour r\u00e9unir une classe enti\u00e8re, ou un groupe h\u00e9t\u00e9rog\u00e8ne de fl\u00fbtistes d\u00e9sirant jouer ensemble, permettant une ouverture d&rsquo;\u00e2ges et de niveaux. La partition est \u00e9dit\u00e9e par les Editions musicales Alphonse Leduc.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h2>Spectacle<\/h2>\n<ul>\n<li>\n<h3>Gwendal Giguelay<\/h3>\n<div id=\"attachment_237\" style=\"width: 310px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/gwendal-giguelay.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-237\" data-attachment-id=\"237\" data-permalink=\"https:\/\/www.cemf.fr\/lpem\/les-editions-precedentes\/edition-2016\/les-laureats-de-ledition-2016\/prix-de-lenseignement-musical-2016-7\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/gwendal-giguelay.jpg?fit=1024%2C683&amp;ssl=1\" data-orig-size=\"1024,683\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;CAROLINE DOUTRE&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;21\/11\/2016&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;PRIX DE L&#039;ENSEIGNEMENT MUSICAL 2016&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"PRIX DE L&amp;rsquo;ENSEIGNEMENT MUSICAL 2016\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;21\/11\/2016&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/gwendal-giguelay.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/gwendal-giguelay.jpg?fit=1024%2C683&amp;ssl=1\" class=\"wp-image-237 size-medium\" src=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/gwendal-giguelay.jpg?resize=300%2C200&#038;ssl=1\" alt=\"Gwendal Giguelay\" width=\"300\" height=\"200\" srcset=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/gwendal-giguelay.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/gwendal-giguelay.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/gwendal-giguelay.jpg?w=1024&amp;ssl=1 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-237\" class=\"wp-caption-text\"><em>Gwendal Giguelay (Paris)<\/em><\/p><\/div>\n<h3>Au Grand Caf\u00e9 de Montreuil<\/h3>\n<p>Cin\u00e9-concert donnant \u00e0 voir des courts-m\u00e9trages de 1894 \u00e0 1928 accompagn\u00e9s musicalement par les \u00e9l\u00e8ves du conservatoire de Montreuil , dans un souci de progression chronologique \u00e0 vis\u00e9e p\u00e9dagogique pour les spectateurs, et ponctu\u00e9s d&rsquo;explications historiques et d&rsquo;illustrations musicales.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h2>Magasin<\/h2>\n<h3>Le Croquenotes, Toulouse<\/h3>\n<div id=\"attachment_238\" style=\"width: 310px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/le-croquenotes.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-238\" data-attachment-id=\"238\" data-permalink=\"https:\/\/www.cemf.fr\/lpem\/les-editions-precedentes\/edition-2016\/les-laureats-de-ledition-2016\/prix-de-lenseignement-musical-2016-8\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/le-croquenotes.jpg?fit=1024%2C683&amp;ssl=1\" data-orig-size=\"1024,683\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;CAROLINE DOUTRE&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;21\/11\/2016&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;PRIX DE L&#039;ENSEIGNEMENT MUSICAL 2016&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"PRIX DE L&amp;rsquo;ENSEIGNEMENT MUSICAL 2016\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;21\/11\/2016&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/le-croquenotes.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/le-croquenotes.jpg?fit=1024%2C683&amp;ssl=1\" class=\"wp-image-238 size-medium\" src=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/le-croquenotes.jpg?resize=300%2C200&#038;ssl=1\" alt=\"Elodie Lafon, Le Croquenotes\" width=\"300\" height=\"200\" srcset=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/le-croquenotes.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/le-croquenotes.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/le-croquenotes.jpg?w=1024&amp;ssl=1 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-238\" class=\"wp-caption-text\"><em>Elodie Lafon, Le Croquenotes<\/em><\/p><\/div>\n<p>Une aire de rencontre pour auteurs et acteurs de l\u2019enseignement musical. Mise en relation les auteurs d\u2019ouvrages p\u00e9dagogiques avec leurs utilisateurs.<\/p>\n<p>&nbsp;<\/p>\n<h2>Prix Sp\u00e9cial de la Cemf<\/h2>\n<h3>Richard Rimbert<\/h3>\n<div id=\"attachment_239\" style=\"width: 310px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/onba.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-239\" data-attachment-id=\"239\" data-permalink=\"https:\/\/www.cemf.fr\/lpem\/les-editions-precedentes\/edition-2016\/les-laureats-de-ledition-2016\/prix-de-lenseignement-musical-2016-9\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/onba.jpg?fit=1024%2C683&amp;ssl=1\" data-orig-size=\"1024,683\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;CAROLINE DOUTRE&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;21\/11\/2016&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;PRIX DE L&#039;ENSEIGNEMENT MUSICAL 2016&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"PRIX DE L&amp;rsquo;ENSEIGNEMENT MUSICAL 2016\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;21\/11\/2016&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/onba.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/onba.jpg?fit=1024%2C683&amp;ssl=1\" class=\"wp-image-239 size-medium\" src=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/onba.jpg?resize=300%2C200&#038;ssl=1\" alt=\"Prix special de la CEMF\" width=\"300\" height=\"200\" srcset=\"https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/onba.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/onba.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.cemf.fr\/lpem\/wp-content\/uploads\/2016\/11\/onba.jpg?w=1024&amp;ssl=1 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-239\" class=\"wp-caption-text\"><em>Lucille Rimbert, David Lalloz, C\u00e9cile Oudeyer<\/em><\/p><\/div>\n<p>A l\u2019initiative du Projet Festival Ch\u0153ur d\u2019Orchestres.<br \/>\nAvec l\u2019Orchestre National de Bordeaux Aquitaine, UDEM 33 et David Lalloz, le conservatoire de Bordeaux, le p\u00f4le d\u2019enseignement sup\u00e9rieur de musique et de danse de Bordeaux Aquitaine.<\/p>\n<p>Une rencontre entre amateurs et professionnels du monde de la musique cr\u00e9\u00e9e dans l\u2019optique de f\u00e9d\u00e9rer l\u2019ensemble des partenaires musicaux autour d\u2019un \u00e9v\u00e8nement exceptionnel et fond\u00e9e sur la transversalit\u00e9 des comp\u00e9tences et du savoir.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>M\u00e9thode Jos\u00e9 S\u00e1nchez L&rsquo;\u0153il de la letra \u2013 Sole\u00e1 \u00ab L\u2019\u0153il de la letra \u00bb est une proposition qui offre \u00e0 tout musicien, danseur ou chanteur \u2014 et plus largement, \u00e0 tout amateur de flamenco \u2014 la possibilit\u00e9 de comprendre et d\u2019interpr\u00e9ter cette musique. Le premier volume de la s\u00e9rie traite de l\u2019un des styles [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":342,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-nommes.php","meta":{"_acf_changed":false,"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-221","page","type-page","status-publish","hentry"],"acf":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P83htQ-3z","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/www.cemf.fr\/lpem\/wp-json\/wp\/v2\/pages\/221","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cemf.fr\/lpem\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.cemf.fr\/lpem\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.cemf.fr\/lpem\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cemf.fr\/lpem\/wp-json\/wp\/v2\/comments?post=221"}],"version-history":[{"count":15,"href":"https:\/\/www.cemf.fr\/lpem\/wp-json\/wp\/v2\/pages\/221\/revisions"}],"predecessor-version":[{"id":244,"href":"https:\/\/www.cemf.fr\/lpem\/wp-json\/wp\/v2\/pages\/221\/revisions\/244"}],"up":[{"embeddable":true,"href":"https:\/\/www.cemf.fr\/lpem\/wp-json\/wp\/v2\/pages\/342"}],"wp:attachment":[{"href":"https:\/\/www.cemf.fr\/lpem\/wp-json\/wp\/v2\/media?parent=221"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}